What say we review Utopia from a disgruntled Big Brother viewer’s perspective? No? What, do you think #BB16 is providing worthwhile live feed viewing today? Okay, gotcha on that one.
This post is long, I admit. But if you’re reading this during business hours, stare at your screen and furrow your brow such that colleagues who wander by will assume you’re very busy with important things.
Consider the very basics: Why do we watch television?
Highly watchable characters, whether or not we like them as people, are what draw us to television. When we identify with characters, we just have to know what happens to them ... so we never miss an episode, whatever the show.
TV has also given us formats which are so compelling that we tune in episode after episode even with only tenuous personal connections to the people.
It’s just a few days from the Big Brother 16 season finale ... and I honestly don’t care who wins. The people I especially wanted not to win (Devin, Frankie, and Caleb) got evicted, and the people I half-heartedly followed (Donny and Zach) are long gone as well. No house guest emerged as my favorite this season, and I’m wondering if watching amounted to wasted effort.
What makes any show worth watching? Likable characters and/or compelling formats. Or vice versa. Plenty of shows are highly watchable when central characters are well-written even if they’re people we’d avoid in real life.
Think of Breaking Bad's Walter White. This guy was an underpaid under-appreciated high school chemistry teacher with a wife, a kid, a junky car, an ordinary middle-class house in suburbia, and a life savings of only a few thousand dollars. Who among us can't identify with Walter? It made him likable and compelling from the very first episode -- enough so that we wanted to follow his (mis)adventures to the very end, even as his misanthropic selfishness vanquished his humanity.
Or think Tony Soprano. Despite being ruthless, evil, and utterly devoid of moral restraint in the running of his business affairs, Tony's struggle with mental health, his love for his children (misguided though his expressions of love sometimes were), and his intense desire to achieve and gain more (more wealth, more respect, more recognition, more validation) gave us a personal connection to his ... I'll call it his unique humanity. We laughed and cried with him. We rooted for him. We wanted him to win.
Or how about compelling formats? Law and Order aired for 20 years and spawned numerous successful spinoffs despite having a revolving cast who played characters with little depth. The format itself proved compelling and long-lasting: Investigate a crime, catch the bad guy(s), take them to court, and reveal the winner (the cops & attorneys or the accused).
Popular daily game shows -- think Price Is Right and Jeopardy -- are similarly compelling because we understand the format and, by playing along, feel like we're part of it.
We have written much here at Big Brother Gossip about why #BB16 was disappointing. House guests who outright failed to play the game (including some who barely understood what was happening), predictable competitions, ridiculous twists which served only to make a tired format even less compelling, stunt casting, etc. #ExpectTheExpected week after week.
Could a new American reality show shake things up for CBS’s Big Brother? That’s exactly what we’re wondering about Fox’s new Utopia. Isolated from the outside world on several acres in the country, 14 people from wildly diverse backgrounds are trying to build a new society from scratch, starting with only a barn, plantable land, a $5000 start-up budget, and no modern amenities (at first, not even a toilet). There are 24/7 live feeds (some free, some paid) and televised recap episodes on Tuesdays and Fridays.
But there are no competitions. There is no grand prize. There will be no winner. That, to me, makes the format questionable. So are the people likable? Is there something which makes this program compelling? If you’ll pardon the Big Brother pun, the jury’s still out.
The predominating feeling I had after watching Utopia’s first two episodes was that irrational anger does not make for good entertainment. It was anger loudly on display by unlikable people. It was puzzling, actually. When you find yourself amongst a group of strangers with whom you know you'll be spending some time, aren't you usually on your best behavior for a while? I found myself wondering if Utopia's producers engineered the conflict (a la Big Brother), misguidedly thinking it would make for better TV.
It didn’t. In fact, for me, the conflict had the opposite effect: I might not stick around to find out if anybody is likable / relatable (as Walter White was) or at least compelling (Tony Soprano). Absence of conflict would be off-putting too -- but until we find a reason to watch a show, its characters should avoid motivating us to change channels.
So if the people are (potentially) repelling, is Utopia’s format compelling? Not yet sure about that, either.
Utopia is somewhat like a "My Summer Camping Trip" home movie, albeit one obviously produced with professional-grade video cameras. But who wants to watch camping trips in slow motion on TV? They tried to create drama over the notion of running out of money, but viewers won't care. (Name for me, please, one viewer anywhere who thinks they will be allowed to starve on national television. They've already aired paramedics and doctors visiting on multiple occasions.)
Utopia had a beginning ... but there's no discernible middle or end on the way in a few weeks or months for viewers to look forward to. That's a huge problem. We are conditioned by Big Brother (not to mention scripted TV and another major televised competition thing which seems to be catching on -- I think they call it football) to earn the reward of a "winner" when we invest viewing time. And characters (or teams) to root for or bemoan along the way.
There are no Big Brother- or Survivor-style competitions on Utopia. Watching people plant gardens (or not), milk cows, raise chickens (or argue about dead ones), and sit around outside is dull. (Big Brother's annually-repeated predictable comps are dull for different reasons. But each has a beginning and end, loser and winner, enabling viewers to feel like they've accomplished something in the watching.)
It also occurs to me that there is a basic dichotomy between Utopia and the TV network on which it's airing. The Utopians, we are told, are there to build an ideal society from scratch. They must set aside their many differences ultimately to come together in harmony toward common goals.
But if there is a major television network (family of networks) whose brand image is the antithesis of societal harmony, which one immediately comes to mind? Right. Fox is entirely about dividing the country, not about bringing us together. Fox fosters the lack of basic civility in our national conversation and then they televise it and profit from it.
Why on earth is this show on Fox? Shouldn't it be on a channel like TLC, Discovery, Oprah Winfrey Network, PBS, or any channel known for documentaries? TLC was once known as "The Learning Channel" before it veered into quasi-reality faire such as Kate Plus 8, Extreme Couponing, Sister Wives, and LA Ink. If they could possibly clear time by canceling drivel like Toddlers & Tiaras and Honey Boo Boo, each of which destroys human dignity in its own unique way, TLC might have a theme-fitting show in Utopia -- one whose premise, at least, is worth consideration.
Indeed, I do find a few redeeming qualities to Utopia. There are people from all walks of life (city, country, presumed varying levels of education and access to money), and many ethnicities are represented. The conflict I've seen so far seems to have been based on their controversial behavior and differences in ideas or their implementation, not on personal backgrounds. That's an important silver lining to Utopia's odd drama.
I like that religion and faith are represented but also that secularism and atheism are there too -- and that while these Utopians are clearly welcome to discover new expressions of spirituality (there was a Christian baptism, for example), the disinterested seem to remain welcome members of the tribe.
It is refreshing that there is a greater (if less than total) acceptance of the human body. Many Utopians have found a European or dare we say aboriginal comfort with the notion that at times clothing is neither warranted nor practical, e.g. when swimming or when neither the climate nor the specific activity requires its protective qualities. American society is paradoxical and puritanical about nudity. We are completely desensitized to death and violence in media ... but simple non-sexual, non-lewd nudity makes people crazy.
Example: Do you remember that when Titanic arrived in movie theaters, Americans made far more of a fuss over their children seeing a momentary glimpse of Kate Winslet's breast than they did over their children seeing graphic depictions of the horrific deaths of a thousand people? I digress, but get your priorities straight, people.
And although I complain that Utopia is basically "televised camping," the outdoor environment is nice. The setting itself provides a welcome departure from the endless city streets / urban decay / guns / screaming sirens / death / destruction that usually fill primetime television.
I am not convinced that Utopia’s format is fundamentally flawed or that the show will not find a following if Fox sticks with it long enough. But neither the show’s first few episodes nor the network on which it’s being aired bode well for Utopia’s longevity, in my view. Although DVR viewership has helped, ratings haven't been kind so far. Repeats on other networks had more viewers than new Utopia episodes, and Fox could dump Utopia when its baseball coverage disrupts the schedule next month (if not sooner).
Reality fans who like the “isolate people outside of the real world” genre might be stuck only with a 2015 edition of Big Brother’s tired format.
More Utopia reading: A writer got to visit the Utopia compound before the cast arrived. Also, Slate.com’s Utopia review delves brilliantly into the initial cast and the conflicts of their first few days.
Big Brother Australia just started its 2014 season a couple weeks ago, and I’ve been enjoying it. What could CBS learn from #BBAU? I’m planning to write about that here some time. Share your thoughts about Utopia in the comments below or @uselesstraffic.
One thing I neglected to mention about Utopia: Like Big Brother, they do occasionally get to vote somebody out. Unlike BB, Utopia's cast member is replaced with a newbie who might very well have been watching the live feeds and show. Utopia is billed as a social experiment which could last for an entire year.
It's not known how Fox will handle things with the current Utopians if ratings make them decide to pull the plug. ("House guests! You may not talk about produc-- *cough* er, that is, please lock yourself outside the front gate!")
To nobody's surprise, Fox canceled Utopia yesterday (November 2, 2014). Several weeks earlier, the network had reduced airings from twice-weekly (Tuesdays and Fridays) to once weekly (Fridays only). Fridays are already the weeknight every network earns its lowest ratings ... so the writing was on the wall.
During the World Series, Fox's coverage of baseball preempted the Friday Utopia episode, and the network chose not to move the weekly episode to an alternate time. When the show returned on Friday, October 31 after the resulting hiatus, ratings were dismal ... but not especially more so than every previous Friday episode, according to TVseriesfinale.com (this page includes a chart of the ratings for each of the show's Friday episodes).
Friday, October 31 ended up being the series finale. The episode apparently featured a tweaked format (I haven't watched it -- in fact I haven't watched since the third week) ... but it wasn't enough to save the show.
Live feeds apparently went black yesterday (Sunday), less than two days after the last episode aired on Fox. Producers chose not to let live feed viewers watch either the Utopians be told that the show is canceled or their departure from the compound.